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The last ten feet, where the trick-or-treaters actually stand.
See it in the scene: The Window & Doorway →
Fabric cutouts, no glue, nothing to plug in
Three flat black ghost silhouettes cut from polyester fabric, each with two hollow eyes and an open mouth, and none of them the same shape. Behind a window they read from the sidewalk as somebody standing in a dark room, which is all a window has to do. Sidelights by the front door, the storm door glass, the bedroom window that faces the street.
The short one is the classic sheet ghost. The wide one leans in with a hem that spreads across the sill. The third has an arm out and fingers hanging, and that is the one people point at from the street. Put them in different windows so the house does not look like it bought a matching set.
No cord, no batteries, no sensor to argue with. Static means they are in the window at four in the afternoon and still there at midnight, which is more than you can say for half the motion props on this block.
Hollow eyes and an open mouth, nothing dripping, nothing with teeth. The four-year-olds point, the teenagers still look twice, and everybody makes it up the steps. That is the right pitch for the front of the house.
Porch light on, a lamp on somewhere behind the glass, and three black shapes sit in the window while the kids decide whether to come up the walk. They come up. On November first they peel off with nothing left on the pane, fold flat, and go in the bin. Polyester does not mind the garage, and they come out the same shape next October.